My sukkah from 2004-2017

While our house was being built in Skokie, I spent some time designing and building a stand-alone wooden sukkah. Although I had built a simple one years earlier in Toronto, I wanted this one to be better and hopefully last for many years. Another goal was that I should be able to put it together by myself every year, since the kids were still too young to help.

Although I had a good idea what I wanted to do, I did get some good construction ideas from watching the carpenters working on the house — such as using liquid nails in addition to screws to attach the walls to the studs.

My design used cross-beams that fit together with cut slots, so I could assemble and disassemble it easily. Those cross beams were also slotted to fit over the walls, so they would hold the walls in place while I bolted the panels to each other.

I included a single Plexiglas window, and a hinged door with a latch. Chicago can be cold that time of year, so being able to close it in somewhat was important. For schach I used individual bamboo poles, which looked nice but were a pain to lay out and bundle for storage. In later years they had bamboo “mats” available, which I switched to in the last couple of years before we moved to Florida.

I must say, I was proud of the result, and as a testament to the quality we used it every year for 12 years — and when we moved a “gemach” was happy to take it.

Note the slotted cross-beam assembly… Not only easy to assemble, but the cross pieces would server to hold newly-installed panels in place until I could bolt them together.


The door was fully functional and latching…

When putting the sukkah up by myself, I would start with the door panel because it could stand up by itself when the door was in the open position. I was then able to bring the next panel in line and connect them using two lag bolts with wing nuts (as all the panels were connected to each other)

Many people would make such a sukkah with the smooth side of the panel on the inside and the side with the framing on the outside… I chose the opposite for two reasons: 1) I liked the look of the finished side on the outside, and 2) It made assembly and disassembly much easier since I could insert the bolts from the inside, and also use 1×2’s to prop to the panels before I was ready to bolt them together.

The framed plexiglass window…

In later years I added what I jokingly called “space beams” — those 1×2 inch pieces that appear curved in the corners of the sukkah. They were just loose, but propped under the top panel support and then wedged tightly against the cement. This added support against the winds which were sometimes significant.


In the early years when the kids were young I had to do everything myself, but later my kids were of great assistance. Here Moshe is seen putting up the bamboo poles…

After the bamboo was up, 6-8 bundles of cedar branches were spread thickly over the top…


In the last couple of years I replaced the individual bamboo poles with newly-available bamboo mats, making the process much easier… Note also the lighting: I chose to use three floodlights pointing downwards and reflecting off the white tables. This orientation also made the lights safe in the rain since the sockets pointed downwards.

We used two six-foot tables, covered with a tablecloth and a thick clear vinyl. Then, to make clean-ups easier, we’d put a thin disposable plastic over the top and replace it after meals. During the day, the window not only provided light, but allowed us to keep an eye on the kids playing on the swing set.

Since the patio had a slope to it (away from the house), I always propped an old metal pipe against the back side to keep it more level.

Vladimir Dashevsky, artist

In 1977 Russian artist Vladimir Dashevsky along with his son Gregory (also an artist) presented the Lubavitcher Rebbe with a large portrait of him for his birthday. Although I no longer recall the exact relationship, Vladimir was a cousin of mine (through my grandfather Shaya Lipson.)

Jewish Educational Media (JEM) preserved a video of this presentation in 770, below. As Gregory lifted the portrait high and showed it to the crowds, the Rebbe showed his wonderful sense of humor, signaling for them to put it down and saying “They see the original!”

The Rebbe then encouraged the Dashevskys to grow in their Yiddishkeit, explaining that they originally didn’t know how to paint, so growing in Jewish knowledge and observance is the same…

A couple of years after this presentation, we visited Vladimir in his home in Brighton Beach. His English wasn’t great, and our Russian was non-existent, but we had a nice visit. In honor of our relationship he gave us an original drawing of the Rebbe, which we of course still have:

Over the next few years, the Rebbe encouraged them to specialize in painting Jewish themes, which they did. One well-known example::

Turn of the century Chanukah Menorah, with an amazing history

In the late 1960’s my mother went to see a Chanukah menorah that her friend’s Polish neighbor wanted to sell. It was obviously very old, but was also very dirty and most of the silver plating was worn off. But seeing that it was made is Warsaw, and being that her parents were from Poland, she thought it would be nice to have, so she bought it.

Being the mechanical type, I immediately decided to try to clean it up, and disassembled all the component parts. Even after the best cleaning job I could do, it still looked pretty poor after it was re-assembled. But because of the sentimental attachment, we kept it on display in our home for many years.

As it looked even after thorough cleaning
Maker’s stamp on back side
Unique 3-D design with separate pieces attached at a distance from backing

Curious as to how it came to be in the hands of a Polish lady who knew nothing about it other than guessing that is was some sort of Jewish object, my mother asked her. She related that she had recently gone back to Poland to visit her parents. Her mother had decided to put in a garden in the back yard — and when digging it she found this buried in the ground!

Of course my mother knew that many Jews buried valuables when they were being rounded up and sent to the camps, believing that they would return and not wanting these items to be stolen.

Recently (2024) I asked my mother if I could have this piece, and she readily agreed. This time, I decided to have the silver plated parts re-plated, to try to restore its original appearance.

The silver-plated components, removed and thoroughly cleaned
Some of the brass parts, before cleaning with Brasso acidic cleaner

A local Jewish silversmith did the work, and after it was re-assembled, it looked wonderful!

Restored!
I purchased a custom-made acrylic box and mounted it on the wall

A bit of internet searching uncovered some interesting facts….

As can be seen here, some versions of this same menorah were completely silver-plated. I found other versions that were part brass and part silver-plate like ours is. Also, ours is missing the original crown on top, as well as the side cups. Note that the two elevated side cups were intended for use as Shabbos lights for the Shabbos during Chanukah.